Comments for African American Performance Art Archive http://aapaa.org Wed, 01 Feb 2012 07:44:38 +0000 hourly 1 http://wordpress.com/ Comment on Clifford Owens Bibliography by Hipolito Zierden http://aapaa.org/artists/clifford-owens/clifford-owens-bibliography/#comment-1444 Wed, 01 Feb 2012 07:44:38 +0000 http://aaapa.wordpress.com/?page_id=57#comment-1444 No one can deny from the quality of this video posted at this site, nice job, keep it all the time.

]]> Comment on Ceremony for Freeway Fets by Jennie Carlisle http://aapaa.org/artists/senga-nengudi/ceremony-for-freeway-fetes/#comment-1060 Fri, 09 Dec 2011 14:56:20 +0000 http://aapaa.org/?page_id=947#comment-1060 An article in “East of Borneo” discusses this work and some of Nengudi’s other collaborative work:

http://eastofborneo.org/articles/senga-nengudis-ceremony-for-freeway-fets-and-other-los-angeles-collaborations

]]> Comment on Pas de Deux: Sculpture and Performance in the early works of Maren Hassinger by John Bowles http://aapaa.org/2009/12/13/pas-de-deux-sculpture-and-performance-in-the-early-works-of-maren-hassinger/#comment-425 Mon, 11 Apr 2011 00:38:40 +0000 http://aapaa.org/?p=1521#comment-425 I am glad you find the site and the essay helpful! The essay was written by Jennie Carlisle, one of the students in my graduate seminar on African American performance art and theories of the performativity of identity (we read some of your work, as well). I am currently developing the archive further (among other things, I plan to add more material documenting the work of Maren Hassinger, Senga Nengudi, and Saya Woolfalk in the coming months). Your feedback is very helpful.

]]> Comment on Pas de Deux: Sculpture and Performance in the early works of Maren Hassinger by Peggy Phelan http://aapaa.org/2009/12/13/pas-de-deux-sculpture-and-performance-in-the-early-works-of-maren-hassinger/#comment-423 Sun, 10 Apr 2011 18:49:56 +0000 http://aapaa.org/?p=1521#comment-423 This is a wonderful site. Thank you. John Bowles: did you write all the text that lacks signature? I would like to cite this piece on Maren Hassinger’s early work.
Thank you.

]]> Comment on Ben Patterson: Artist of Fluxus (or how is it called?) by Chanelle Nicole http://aapaa.org/artists/ben-patterson/ben-patterson-artist-of-fluxus-or-how-is-it-called/#comment-179 Fri, 19 Nov 2010 08:16:52 +0000 http://aapaa.org/?page_id=777#comment-179 A Ben Patterson Perspectives show opened in Houston, TX recently. Very rich and enlightening show.

]]> Comment on Voices by Voices (Women’s Building, still 1) « African American Performance Art Archive http://aapaa.org/artists/maren-hassinger/voices/#comment-140 Fri, 02 Jul 2010 14:34:04 +0000 http://aapaa.org/#comment-140 [...] Title: Voices [...]

]]> Comment on Voices by Voices (Women’s Building, still 2) « African American Performance Art Archive http://aapaa.org/artists/maren-hassinger/voices/#comment-139 Fri, 02 Jul 2010 14:33:57 +0000 http://aapaa.org/#comment-139 [...] Title: Voices [...]

]]> Comment on Manifesto by Voices — video « African American Performance Art Archive http://aapaa.org/2010/06/09/manifesto/#comment-138 Fri, 02 Jul 2010 14:33:07 +0000 http://aapaa.org/?p=2651#comment-138 [...] from the novels of Walker Percy. It is one of several performances Hassinger describes in her “Manifesto” as “Post-modern commentaries on politics, the end of nature, etc.,” created for friends, [...]

]]> Comment on Double Think Bulemia by Voices at the Women’s Building, still 2 « African American Performance Art Archive http://aapaa.org/artists/senga-nengudi/senga-nengudi-doube-think-bulimia/#comment-135 Fri, 02 Jul 2010 14:29:26 +0000 http://aapaa.org/?page_id=312#comment-135 [...] Double Think Bulemia [...]

]]> Comment on Manifesto by Voices — still 1 « African American Performance Art Archive http://aapaa.org/2010/06/09/manifesto/#comment-134 Fri, 02 Jul 2010 14:23:18 +0000 http://aapaa.org/?p=2651#comment-134 [...] from the novels of Walker Percy. It is one of several performances Hassinger describes in her “Manifesto” as “Post-modern commentaries on politics, the end of nature, etc.,” created for friends, [...]

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