Blind Dates "Smile" backside
| Artist: Senga Nengudi | Current repository: |
| Location: White Dog Performance Studio, New York | Source: Senga Nengudi |
| Title: Blind Dates | Rights: |
| Medium: text | Comments: Ephemera with a description of “Blind Dates” in the artist’s hand. |
| Dimensions: | Date: 1982 |
"Smile"
| Artist: Senga Nengudi | Current repository: |
| Location: White Dog Performance Studio, New York | Source: Senga Nengudi |
| Title: Blind Dates (Smile) | Rights: |
| Medium: copy art | Comments: Ephemera from Senga Nengudi’s performance, “Blind Dates” presented by Just Above Midtown Gallery, New York. Peformed at the White Dog Performance Studio, New York. |
| Dimensions: | Date: 1982 |
Flying announcement
| Artist: Senga Nengudi, Maren Hassinger, Ulysses Jenkins, and Frank Parker | Current repository: AAPAA |
| Location: Los Angeles Municipal Art Gallery, Barnsdall Park, Los Angeles | Source: Senga Nengudi |
| Title: Announcement for “Flying“ | Rights: |
| Medium: copy art | Comments: Announcement for “Flying,” a collaborative performance by Senga Nengudi, Maren Hassinger, Ulysses Jenkins, and Frank Parker, with Juana Nash, “Nastyee,” and N’Dugu Jungles. Held for the opening of the “Afro-American Abstraction” exhibition. |
| Dimensions: 21.5 x 28 cm | Date: July 6, 1982 |
Segues announcement
| Artist: | Current repository: AAPAA |
| Location: The Paper Mill, Los Angeles Printmaking Society, Los Angeles | Source: Senga Nengudi |
| Title: Announcement for “Segues: A Night of Performances” | Rights: |
| Medium: copy art | Comments: Annoucement for “Segues,” December 1, 1980, an evening of performances by Frank Parker, Senga Nengudi, and Roy Buchman.
Senga Nengudi’s “Get-Up” performed by Houston Conwill, Maren Hassinger, Frank Parker, and Yolanda Vidado. |
| Dimensions: 17 x 10.5 cm | Date: December 1, 1980 |
Senga Nengudi writes, “For this show I did an audio piece that was placed in the women’s bathroom. It was a provocative, rather sexual tape. The way it was placed women thought they were overhearing a real on the spot conversation.”
Carnival
| Artist: | Current repository: Collection of Senga Nengudi |
| Location: Kenkeleba Gallery, New York | Source: Senga Nengudi |
| Title: Announcement for “Carnival: Ritual of Reversal” | Rights: |
| Medium: copy art | Comments: Announcement for an exhibition featuring work by Terry Adkins, Candida Alvarez, Anthony Barboza, Leticia Barboza, Willie Birch, Juan Boza, Rolando Briseño, James Andrew Brown, Bernard Cameron, Maria Dominguez, Maren Hassinger, Cynthia Bawkins, Walter C. Jackson, Ben Jones, Curives Lorick, Pedro Lujan, Mary Malott, James McCoy, Tyrone Mitchell, Senga Nengudi, John Owen, Frank Parker, Alyson Pou, Jorge Luis Rodriguez, Christy Rupp, Alison Saar, Ken Tisa, and Randy Williams. Exhibition supported by the New York State Council on the Arts and the National Endowment for the Arts. |
| Dimensions: 29 x 15.5 cm | Date: March 31 – April 28, 1985 |
Segues photo, Yolanda
| Artist: Senga Nengudi | Current repository: Collection of Senga Nengudi |
| Location: The Paper Mill, Los Angeles Printmaking Society | Source: Senga Nengudi |
| Title: Segues — Night Performances | Rights: |
| Medium: photograph printed on paper with hand-written text | Comments: Photograph of Yolanda Vidado from Senga Nengudi’s performance, “Get-Up,” presented for “Segues: A Night of Performances.”
Senga Nengudi’s “Get-Up” performed by Houston Conwill, Maren Hassinger, Frank Parker, and Yolanda Vidado. |
| Dimensions: 22 x 28.5 cm | Date: December 1, 1980 |
Segues program
| Artist: | Current repository: AAPAA |
| Location: The Paper Mill, Los Angeles Printmaking Society, Los Angeles | Source: Senga Nengudi |
| Title: Program for “Segues: A Night of Performances” | Rights: |
| Medium: copy art | Comments: Program for performances by Frank Parker, Senga Nengudi, and Roy Buchman.
Senga Nengudi’s “Get-Up” performed by Houston Conwill, Maren Hassinger, Frank Parker, and Yolanda Vidado. |
| Dimensions: 17.5 x 24 cm | Date: December 1, 1980 |
Senga Nengudi writes, “We created pieces in the gallery while onlookers came in and out of the gallery. We basically lived in the gallery. It was like an open lab. It was about process.”
In Situ announcement
| Artist: | Current repository: Collection of Senga Nengudi |
| Location: Just Above Midtown, Inc. | Source: Senga Nengudi |
| Title: The Process As Art: In Situ | Rights: |
| Medium: copy art | Comments: An exhibition featuring Banerjee, Wendy Ward Ehlers, Susan Fitzsimmons, David Hammons, Senga Nengudi, Randy Williams, and Diana Wharton. The exhibition was supported by the New York State Council on the Arts, the New York City Department of Cultural Affairs, and the National Endowment for the Arts. |
| Dimensions: | Date: September 19-October 14, 1979 |
Walk (17)
| Artist: Senga Nengudi | Current repository: Collection of the artist |
| Location: | Source: Senga Nengudi |
| Title: Walk a Mile in My Shoes: Artist’s Statement | Rights: |
| Medium: Document | Comments: Artist’s statement dated 2000 |
| Dimensions: | Date: 1999-ongoing |
Walk (16)
| Artist: Senga Nengudi | Current repository: Collection of the artist |
| Location: | Source: Senga Nengudi |
| Title: Walk a Mile in My Shoes: letter from Maren Hassinger to Senga Nengudi | Rights: |
| Medium: Document | Comments: Letter from Maren Hassinger to Senga Nengudi; 6/22/2000 |
| Dimensions: | . |
African American Performance Art Archive 
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